![tiltshift photography tiltshift photography](https://i.pinimg.com/originals/0c/2b/fb/0c2bfb761d6597034e4089b5a24461a1.jpg)
A subject that could be a toy such as a boat, train, or plane will also make a great subject for a tilt-shift photo.
![tiltshift photography tiltshift photography](http://webneel.com/daily/sites/default/files/images/daily/10-2013/11-tilt-shift-photography.jpg)
A photo where the subject is sharp and in focus. Try to shoot from at least 10 feet above. The app comes with a small library of photos to play with, and can process anything already in your film-roll. This angle is necessary for the right effect. As it is, you have to use sliders on screen - way more accurate, but way less fun. The one thing we'd ask for would be to control the tilt effect by actually tilting the iPhone. All of the tilt-shift photos on my blog are real and done with an assortment of lenses. You choose the area you want to keep in focus and "feather" the edges of that selection. If you have any questions about my photography or photography in general feel free to ask. Tilt-shift lenses are relatively rare among the other camera lenses. This mechanism creates the ’tilt’ and ‘shift’ effect.
![tiltshift photography tiltshift photography](https://www.photopoly.net/wp-content/uploads/02112010/4.jpg)
TitlShift is a $2 app which allows some basic but powerful manipulation. What is a Tilt-Shift Lens A tilt-shift lens works based on the ‘ Scheimpflug principle ‘ that allows photographers to move the plane’s angle between the lens and the camera sensor.
#TILTSHIFT PHOTOGRAPHY SOFTWARE#
And now that software is available to do in-phone processing on the iPhone. The lenses are a pain to use, though, so software stepped in. It turns out that this visual cue is wired tightly to our perception of size and therefore reducing the depth of field with a tilt lens makes things look tiny to us. If you take a picture of a train set, say, then you'll have a tiny area of focus, quickly blurring in front of and behind the subject. The modern day use of tilt-shift lenses has been to simulate the effect of tiny models. Interestingly, converging horizontals (railway lines that appear to touch in the distance) have never been so ostracized, presumably because you'd need a mile-high tripod to fix them. The lens could also be shifted (usually up) to capture the top of a building without tilting the camera back and inducing "converging verticals", a big no-no in the starchy world of architects.